This past year, I’ve ridden the RIPTA (Rhode Island Public Transit Authority) bus at least 100 times. Specifically, the “60 line”, Newport to Providence.
Since July, I’ve been riding it at least 6 times a week, going back and forth between home and my job in Portsmouth.
Rarely does anything particularly exciting happen. Mind you, I ride the bus specifically for transportation, not for intense terror action, so I have little reason to complain. 99% of the time, the bus gets it’s job done without a hitch, except when they fail to stop and pick me up becase, A- My grey sweatshirt causes me to blend in with a telephone pole (“No shit, dude! Look at the pole! It’s the exact same color!“-Driver, after I chased him down), or B- My body language indicated I did not really want to get on the bus that badly. In the case of B, I was elaborately twisting and spinning while reaching deep into the French catacombs of my cargo pants for quarters. So, it could be argued I was conducting a performance art display at 10:45 at night on the side of the road in front of a deserted grocery store parking lot, not waiting for a bus.
If that were the case, it would be blatant discrimination, because they never fail to pick up Spinboy when passing through Bristol. This young gentlemen is probably afflicted with a neurological disorder of some kind, so don’t go thinking I’ve given him a cruel demeaning nickname, it’s an entirely accurate monicker. He is male, and spinning is what he does. After paying the driver, he always does a full 360, then grabs the nearest pole, topping it off with a bonus 180 into the seat. If there are no seats near the front, he continues with at least another full 360 while traversing the aisle. Several times he boarded wearing pajama pants, and carrying a blue blanket. In terms of surface appearance, he is a short Hispanic man of about 30, with an “escaped mental patient” style haphazardly shaved head.
The last time I saw him, his demeanor was more assertive. He spent the ride barking into a cell phone, and nursing an unlit Newport cigarette with rabid anticipation. These behavioral details gave me some powerful new insights into the depths of his soul, and the content of his character. Firstly, he has the ability to harness the power of technology. There are people that he knows, and he communicates with them freely. They may even be friends. More likely, it’s a doctor at Brown University’s Behavioral Science Facility, trying to get him in for overnight observation and testing (Spinboy’s sole source of income). Not until I smoke my Newport, says Spinboy.
Then, there is Cracker Jack. He typically rides between Warren and Bristol, a trip less than 10 minutes. He has important business in both towns. Get the money in Bristol, get the crack in Warren. Once fully crackenated, he’ll get back on the bus in Warren, twitch wildly, look over his shoulder constantly, air drum with rapid intensity to the music leaking from soneone’s headphones, wonder “Why doesn’t everyone in the whole world want to be my friend?”, then get off in front of Dunkin Dohnuts (The cultural hotspot of the quaint Bristol main street) and jive on down the block, into…oblivion? His unseen fate does not bode well, as his bus ride was the exact length of the average crack high.
He has only made one brief appearance so far, but The Pointer splashed onto the scene with dramatic flair and style. A white male in his late 20s, I at first took him for a typical jerk, shooting beams of fear down the aisle with his Ghetto Stare. What up yo, why you in my field of vision, custy bitch? Then, he sat down next to an unsuspecting Roger Williams student, even though there were unoccupied double seats nearby. He made a loud, exaggerated effort to make sure the RW student didn’t mind. After being assured for the 4th or 5th time that it was ok, he settled into his seat. From behind, I could now see The Pointer was rockin’ the ever popular “escaped mental patient” buzz cut. With multiple random triangles of raw bare skin amidst the fuzz, it was a true representation of the hippest new fashion trend in Rhode Island.
After a few minutes, he raised his left hand to head level. His left index finger: extended fully. This man had a point to make. In a blatant dereliction of journalistic duty, I had my headphones on, so I know not what tender vocalizations accompanied the gesture. I imagine it was something along the lines of “No, no, NO! DON’T DO THAT! AAAAAAAHGAGAGA ffmphdeh.”, followed by a little drooling. The finger took over, wagging up and down in a tense, tight rhythm, yet with a loose wristed technique, like one of Cracker Jack’s invisible drumsticks. Once that particular verse was over, the finger curled and uncurled repeatedly , as if trying to meakly apologize for those (no doubt fully justified) points it had to make.
My stop was just before Kennedy Plaza, and I managed one brief up close glimpse of him on my way off. Both fingers had sprung to life, in an alternating frenzy of blame laying. The one snippet of his jibber jabber I heard was something along the lines of “I…I…I did that! I said that! No, no, yeah! I said I was…I DID!”.
What kinds of unimaginable experiments experiments are Brown University running on the cognitively disadvantaged citizens of Rhode Island? Are they so cruel as to make these test subjects ride the bus back and forth, not even giving them the dignity of being loaded up on Thorazine and tossed out of a white van in front of Dunkin Donuts?
Don’t let this highly condensed profile fool you, usually the bus is pretty fucking boring. These people are by far the most interestings things I’ve seen on the RIPTA. Only one in every three or four rides yields something worth peering up from my journal or taking off my headphones.
It’s not always bizarre and morbidly fascinating, though. The other day I had a confrontationally friendly conversation forced on me by an old woman named Estella. I was standing at the fron of the packed bus, holding the rail for support. Estella looked up and asked me “Why don’t you sit here?”. I barely managed to squeeze my way in next to her before she barraged me with questions. “How come you didn’t sit next to me before? You’re not scared of me, are you, HAHA!?”. I didn’t sit there because, between your fat ass and the fat ass of the other guy two seats over, about 75% of the seat was already acounted for, bitch. But I didn’t say that, I politely lied and pretended to be lackadaisacally unaware of my surroundings (which I usually am) with “I guess I just didn’t look hard enough (*durrr)!”.She then described me as “a trip”. That sums up my existence fairly succinctly.
After exchanging names, star signs, and brief life histories giving context to our mutual reliance on public transportation, she resumed browbeating the other residents of the front of the bus. “Hey, girl! You’re a Taurus, right? That means you always got to git what you want, AWHAW YEAH GIRL! Hey, you’re really pretty. You could be a model, seriously! I know this stuff, my brother was a fashion photographer for 25 years! He had his own studio in Boston! He worked for Vogue magazine in Germany! You could be one of those girls with Tyra Banks!”
What if I wanted to be one of those girls with Tyra, huh? Would Estella validate my dreams, or does she only work her magic on the young and the beautiful? She had the air and presence of a powerfull witch, wielding dominance and influence, casting glamour charms and curses in equal turn. Which side of fate did I fall on that day? Perhaps I’ll never truly know.
I should officially petition the city of Providence to make me part of it’s “Rennaisance City” campaign, to improve the city’s image. My artistic portrayels of the RIPTA experience would motivate other adventurous spirits to visit the city via the bus, reducing congestion on Route 95 by .358%. This could be just the thing to avert the coming of a new Dark Age.